Attenuator Set
Attenuator Set
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A Designs ATTY Volume Attenuator $100 A Designs ATTY Volume Attenuator |
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coaxial attenuator $2.99 Steren – Coaxial attenuator – F connector (F) – F connector (M) |
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Wilson Electronics Antenna Attenuator $33.99 Wilson Electronics Antenna Attenuator Wilson Electronics – Antenna attenuator |
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Xantech 28Adj Emitter Attenuator $24.99 Xantech Xantech 28Adj Emitter Attenuator |
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Blonder Tongue Fixed Attenuator (FAM) $36.99 Blonder Tongue Fixed Attenuator (FAM) |
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Auralex Audio Engineers Pack $69.00 The Auralex Audio Engineers Pack contains nine ISO Series products specially designed for acoustical engineers and audiophiles to boost the quality of sound in any recording or listening space. It includes a GRAMMA AE, 1 set of MoPADs, a pair of 6″ TrapXpanders, a pair of 8″ TriXpanders, and 3 Platfeet.Gramma AEThe GRAMMA AE (Gig and Recording, Amp and Monitor, Modulation Attenuator) is an incredi… |
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Koss VC20 Volume Control $2.99 The Koss VC-20 volume control can be used with any music player. A convenient pocket or belt clip lets you position the VC-20 where it’s most comfortable for you…. |
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CAD C9 $29.99 The C9 is designed for drum overheads. Features include hi-pass filter and attenuator. Mic clip included…. |
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Shure PG42-LC Side-Address Cardioid Condenser Vocal Microphone $187.11 Side Address Cardioid Condenser Vocal Microphone with Pouch and Stand Adapter Specifically engineered for vocal reproduction, the PG42 side-address condenser microphone features a large cardioid diaphragm tailored with high sensitivity to clearly reproduce refined performances. A -15dB switchable attenuator and a high pass filtering switch guarantees Shure quality for every lead vocal application…. |
Driver Ball Position
PurePoint Golf Instruction – Driver Ball Position – Driver Golf Swing
I often see a number of amateurs prepare for their driver golf swing by walking up, after they have teed the ball up, they just take a step back and they address it. They grip the golf club and they address it, and they sort of just plot their feet down wherever they land, but let me tell you the proper way.
This way you'll be able to get the ball in the correct position more often than not. After you have the golf ball and you've gripped it and you have addressed it, then you'll just look down, take a peek down, and if this golf ball is running towards the left heel, then this is correct.
If you look down and you see the golf ball is a little too far forward off your left, that's too far forward and you'll probably see that the shoulders are aimed too far to the left.
On the other hand, if you look back down and you think the ball is too far back in your stance when you put this shaft along you, you'll be aiming way off to the right.
So, after you've addressed the golf ball, all you have to do to get ready for your driver golf swing is bring the shaft up and lay it along your shoulder line, and it should be going in the direction you want to go with it.
If you get it too far back in your stance at address, you'll wind up aiming your shoulders too far off to the right.
And if you get it off the left heel, this should be proper for most people.
Give that a try the next time out.
Bobby Eldridge is the Head Instructor for the PurePoint Golf Academy where he teaches "The Simple Golf Swing" theory. You can check out PurePoint Golf instructional DVDs at http://www.golfswingguru.com/index15.htmBobby Eldridge is the Head Instructor for the PurePoint Golf Academy where he teaches "The Simple Golf Swing" theory. You can check out PurePoint Golf instructional DVDs athttp://www.golfswingguru.com/index15.htm
Article Source: http://www.simplysearch4it.com/article/52161.html
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ART S8 8-Channel Balanced Mic Splitter $199 The ART S8 can be used to split eight balanced low impedance microphone signals into sixteen (eight pairs). Each channel of the S8 Microphone Splitter provides one direct output and one transformer isolated output from a single microphone, making it the ideal signal splitting solution for dividing mic signals for separate Front-of-House monitor mixes, or for remote recording applications. The direct outputs pass phantom power from the main mixer to the microphones for use with condenser microphones. The S8 includes a ground-lift switch on each isolated output to reduce hum due to ground loops between connected AC-powered units. For versatility the S8 mic splitter also features an attenuator pad switch on each input that can be used to connect preamplified signals to the two microphone-level outputs on each channel. Typical preamplified signals would originate from instrument preamplifiers, mixers, keyboards, etc.With such an extensive history of making audio processors, ART has consistently set new industry standards and watched competitors follow their innovation and the ART S8 Microphone Splitter is no exception. ART continues to set the bar for high-quality audio products at a reasonable cost to audio enthusiasts of all types. |
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Auralex Audio Engineers Pack $69.99 The Auralex Audio Engineers Pack contains nine ISO Series products specially designed for acoustical engineers and audiophiles to boost the quality of sound in any recording or listening space. It includes a GRAMMA AE, 1 set of MoPADs, a pair of 6 Trap Xpanders, a pair of 8 Tri Xpanders, and 3 Platfeet.Gramma AEThe GRAMMA AE (Gig and Recording, Amp and Monitor, Modulation Attenuator) is an incredibly effective patented device that's used to float an amp or loudspeaker. GRAMMA yields nearly total acoustic isolation, resulting in a purity of tone that has to be heard to be believed.MoPadThe specially designed Auralex MoPad Monitor Isolation Pads will instantly decouple your monitors from the room and greatly increase monitoring accuracy. No matter how good the rest of your studio gear, you won't get accurate monitoring if the direct transfer of vibrations from your monitors to your furniture is coloring your sound. Includes 4 pads 12 long by 4 wide.Trap Xpanders and Tri&bullXpandersIn the art of audio sound capture, the recording engineer must contend with and balance many sonic issues (external noise bleed, structure-borne resonance, off-axis colorations) in order to arrive at sounds that are truly sonically robust.Auralex's Trap Xpanders and Tri Xpanders give the recording engineer a high-degree of control by providing the capability to filter the undesirable external overtones that tend to push the engineer to over-process on the back-end during the mixing stage.They offer the recording engineer a means of tonal control and passive filtering before the sound ever hits the signal path and before ever reaching for a knob or booting-up a plug-in. Trap Xpanders are trapezoidal in shape while the Tri Xpanders are triangle shaped.Use the Trap Xpanders behind the drum mic to virtually eliminate off-axis colorations between your snare and high-hat. Use the Tri Xpanders to isolate your microphones during the recording process |